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April 15, 2019

Story Time: Hoichi The Earless by Lafcadio Hearn (Mimi-nashi Hoichi) (Ep. 33)

Reading Time: 18 Minutes
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After coming to live in Japan (1890), Lafcadio Hearn listened intently to the folk stories and ghostly tales that were related to him. He then wrote them down in English, adding his own unique style and began publishing books of his gathered observances and retellings. Glimpses of Unfamiliar Japan, Exotics and Retrospectives, and Kwaidan to name a few.

Today on Uncanny Japan, I read you “Mimi-nashi Hoichi“, or “Hoichi The Earless,” arguably Mr. Hearn’s most well-known story. A story that has been made into a movie, appears on stage, shows up in manga, music, and is told on stages even today. As a matter of fact, I have tickets to go see a performance of Mimi-Nashi Hoichi in May.

The below image is from Masaki Kobayashi’s film Kwaidan. (Thank you, Mark!)

Mimi-Nashi Hoichi, or Hoichi The Earless

[00:02] Uncanny Japan is author me, Thersa Matsuura, exploring all that is weird from Japan. Strange superstitions and old wives tales, cultural oddities and interesting language quirks. These are little treasures I dig up while doing research for my writing, and I want to share them with you here on Uncanny Japan. I hope you like the show.

[00:29] Hey, hey everyone. This is Terrie on Uncanny Japan. Before I go into more detail about the tengu and all those other weird things I want to talk about, I want to interrupt with this story. This story is also by Koizumi Yakimo–Lafcadio Hearn, and it’s called the story of Mimi-Nashi Hoichi, or, Hoichi The Earless.

[00:57] Some centuries ago there lived at Akamagaseki a blind man named Hoichi, who was famed for his skill in recitation and in playing upon the biwa. From childhood he had been trained to recite and to play; and while yet a lad he had surpassed his teachers. As a professional biwa-hoshi he became famous chiefly by his recitations of the history of the Heike and the Genji; and it is said that when he sang the song of the battle of Dan-no-ura “even the goblins, the k1ijin, could not refrain from tears.”

[01:40] At the outset of his career, Hoichi was very poor; but he found a good friend to help him. The priest of the Amidaji was fond of poetry and music; and he often invited Hoichi to the temple, to play and recite. Afterwards, being much impressed by the wonderful skill of the lad, the priest proposed that Hoichi should make the temple his home; and this offer was gratefully accepted. Hoichi was given a room in the temple-building; and, in return for food and lodging, he was required only to gratify the priest with a musical performance on certain evenings, when otherwise disengaged.

[02:19] One summer night the priest was called away, to perform a Buddhist service at the house of a dead parishioner; and he went there with his acolyte, leaving Hoichi alone in the temple. It was a hot night; and the blind man sought to cool himself on the verandah before his sleeping-room. The verandah overlooked a small garden in the rear of the Amidaji. There Hoichi waited for the priest’s return, and tried to relieve his solitude by practicing upon his biwa. Midnight passed; and the priest did not appear. But the atmosphere was still too warm for comfort within doors; and Hoichi remained outside. At last he heard steps approaching from the back gate. Somebody crossed the garden, advanced to the verandah, and halted directly in front of him — but it was not the priest.

[03:24] A deep voice called the blind man’s name – – abruptly and unceremoniously, in the manner of a samurai summoning an inferior:- –

[03:36] “Hoichi!”

[03:36] “Hai!” answered the blind man, frightened by the menace in the voice, – – “I am blind! – – I cannot know who calls!”

[03:46] “There is nothing to fear,” the stranger exclaimed, speaking more gently. “I am stopping near this temple, and have been sent to you with a message. My present lord, a person of exceedingly high rank, is now staying in Akamagaseki, with many noble attendants. He wished to view the scene of the battle of Dan-no-ura; and to-day he visited that place. Having heard of your skill in reciting the story of the battle, he now desires to hear your performance: so you will take your biwa and come with me at once to the house where the august assembly is waiting.”

[04:32] In those times, the order of a samurai was not to be lightly disobeyed. Hoichi donned his sandals, took his biwa, and went away with the stranger, who guided him deftly, but obliged him to walk very fast. The hand that guided was iron; and the clank of the warrior’s stride proved him fully armed,– probably some palace-guard on duty. Hoichi’s first alarm was over: he began to imagine himself in good luck; — for, remembering the retainer’s assurance about a “person of exceedingly high rank,” he thought that the lord who wished to hear the recitation could not be less than a daimyo of the first class. Presently the samurai halted; and Hoichi became aware that they had arrived at a large gateway; — and he wondered, for he could not remember any large gate in that part of the town, except the main gate of the Amidaji. “Kaimon!” the samurai called,– and there was a sound of unbarring; and the twain passed on. They traversed a space of garden, and halted again before some entrance; and the retainer cried in a loud voice, “Within there! I have brought Hoichi.” Then came sounds of feet hurrying, and screens sliding, and rain-doors opening, and voices of women in converse. By the language of the women Hoichi knew them to be domestics in some noble household; but he could not imagine to what place he had been conducted. Little time was allowed him for conjecture. After he had been helped to mount several stone steps, upon the last of which he was told to leave his sandals, a woman’s hand guided him along interminable reaches of polished planking, and round pillared angles too many to remember, and over widths amazing of matted floor,– into the middle of some vast apartment. There he thought that many great people were assembled: the sound of the rustling of silk was like the sound of leaves in a forest. He heard also a great humming of voices,– talking in undertones; and the speech was the speech of courts.

[07:08] Hoichi was told to put himself at ease, and he found a kneeling-cushion ready for him. After having taken his place upon it, and tuned his instrument, the voice of a woman — whom he divined to be the Rojo, a matron in charge of the female service — addressed him, saying,–

[07:31] “It is now required that the history of the Heike be recited, to the accompaniment of the biwa.”

[07:41] Now the entire recital would have required a time of many nights: therefore Hoichi ventured a question:–

[07:51] “As the whole of the story is not soon told, what portion is it augustly desired that I now recite?”

[08:00] The woman’s voice made answer:–

[08:03] “Recite the story of the battle at Dan-no-ura,– for the pity of it is the most deep.”

[08:11] Then Hoichi lifted up his voice, and chanted the chant of the fight on the bitter sea,– wonderfully making his biwa to sound like the straining of oars and the rushing of ships, the whirr and the hissing of arrows, the shouting and trampling of men, the crashing of steel upon helmets, the plunging of slain in the flood. And to left and right of him, in the pauses of his playing, he could hear voices murmuring praise: “How marvelous an artist!” — “Never in our own province was playing heard like this!” — “Not in all the empire is there another singer like Hoichi!” Then fresh courage came to him, and he played and sang yet better than before; and a hush of wonder deepened about him.

[09:04] But when at last he came to tell the fate of the fair and helpless,– the piteous perishing of the women and children,– and the death-leap of Nii-no-Ama, with the imperial infant in her arms,– then all the listeners uttered together one long, long shuddering cry of anguish; and thereafter they wept and wailed so loudly and so wildly that the blind man was frightened by the violence and grief that he had made. For much time the sobbing and the wailing continued. But gradually the sounds of lamentation died away; and again, in the great stillness that followed, Hoichi heard the voice of the woman whom he supposed to be the Rojo.

[09:50] She said:–

[09:52] “Although we had been assured that you were a very skillful player upon the biwa, and without an equal in recitative, we did not know that any one could be so skillful as you have proved yourself to-night. Our lord has been pleased to say that he intends to bestow upon you a fitting reward. But he desires that you shall perform before him once every night for the next six nights — after which time he will probably make his august return-journey. To-morrow night, therefore, you are to come here at the same hour. The retainer who to-night conducted you will be sent for you… There is another matter about which I have been ordered to inform you. It is required that you shall speak to no one of your visits here, during the time of our lord’s august sojourn at Akamagaseki. As he is traveling incognito, he commands that no mention of these things be made… You are now free to go back to your temple.”

[11:00] After Hoichi had duly expressed his thanks, a woman’s hand conducted him to the entrance of the house, where the same retainer, who had before guided him, was waiting to take him home. The retainer led him to the verandah at the rear of the temple, and there bade him farewell.

[11:20] It was almost dawn when Hoichi returned; but his absence from the temple had not been observed,– as the priest, coming back at a very late hour, had supposed him asleep. During the day Hoichi was able to take some rest; and he said nothing about his strange adventure. In the middle of the following night the samurai again came for him, and led him to the august assembly, where he gave another recitation with the same success that had attended his previous performance. But during this second visit his absence from the temple was accidentally discovered; and after his return in the morning he was summoned to the presence of the priest, who said to him, in a tone of kindly reproach:–

[12:09] “We have been very anxious about you, friend Hoichi. To go out, blind and alone, at so late an hour, is dangerous. Why did you go without telling us? I could have ordered a servant to accompany you. And where have you been?”

[12:25] Hoichi answered, evasively,–

[12:29] “Pardon me kind friend! I had to attend to some private business; and I could not arrange the matter at any other hour.”

[12:37] The priest was surprised, rather than pained. He felt it to be unnatural, and suspected something wrong. He feared that the blind lad had been bewitched or deluded by some evil spirits. He did not ask any more questions; but he privately instructed the men-servants of the temple to keep watch upon Hoichi’s movements, and to follow him in case that he should again leave the temple after dark.

[13:03] On the very next night, Hoichi was seen to leave the temple; and the servants immediately lighted their lanterns, and followed after him. But it was a rainy night, and very dark; and before the temple-folks could get to the roadway, Hoichi had disappeared. Evidently he had walked very fast,– a strange thing, considering his blindness; for the road was in a bad condition. The men hurried through the streets, making inquiries at every house which Hoichi was accustomed to visit; but nobody could give them any news of him. At last, as they were returning to the temple by way of the shore, they were startled by the sound of a biwa, furiously played, in the cemetery of the Amidaji. Except for some ghostly fires — such as usually flitted there on dark nights — all was blackness in that direction. But the men at once hastened to the cemetery; and there, by the help of their lanterns, they discovered Hoichi,– sitting alone in the rain before the memorial tomb of Antoku Tenno, making his biwa resound, and loudly chanting the chant of the battle of Dan-no-ura. And behind him, and about him, and everywhere above the tombs, the fires of the dead were burning, like candles. Never before had so great a host of Oni-bi appeared in the sight of mortal man…

[14:43] “Hoichi San! — Hoichi San!” the servants cried,– “you are bewitched!.. Hoichi San!”

[14:50] But the blind man did not seem to hear. Strenuously he made his biwa to rattle and ring and clang; — more and more wildly he chanted the chant of the battle of Dan-no-ura. They caught hold of him; — they shouted into his ear,–

[15:07] “Hoichi San! — Hoichi San! — come home with us at once!”

[15:12] Reprovingly he spoke to them:–

[15:15] “To interrupt me in such a manner, before this august assembly, will not be tolerated.”

[15:22] Whereat, in spite of the weirdness of the thing, the servants could not help laughing. Sure that he had been bewitched, they now seized him, and pulled him up on his feet, and by main force hurried him back to the temple,– where he was immediately relieved of his wet clothes, by order of the priest. Then the priest insisted upon a full explanation of his friend’s astonishing behavior.

[15:51] Hoichi long hesitated to speak. But at last, finding that his conduct had really alarmed and angered the good priest, he decided to abandon his reserve; and he related everything that had happened from the time of first visit of the samurai.

[16:09] The priest said:–

[16:11] “Hoichi, my poor friend, you are now in great danger! How unfortunate that you did not tell me all this before! Your wonderful skill in music has indeed brought you into strange trouble. By this time you must be aware that you have not been visiting any house whatever, but have been passing your nights in the cemetery, among the tombs of the Heike; — and it was before the memorial-tomb of Antoku Tenno that our people to-night found you, sitting in the rain. All that you have been imagining was illusion — except the calling of the dead. By once obeying them, you have put yourself in their power. If you obey them again, after what has already occurred, they will tear you in pieces. But they would have destroyed you, sooner or later, in any event… Now I shall not be able to remain with you to-night: I am called away to perform another service. But, before I go, it will be necessary to protect your body by writing holy texts upon it.”

[17:24] Before sundown the priest and his acolyte stripped Hoichi: then, with their writing-brushes, they traced upon his breast and back, head and face and neck, limbs and hands and feet,– even upon the soles of his feet, and upon all parts of his body,– the text of the holy sutra called Hannya-Shin-Kyo. When this had been done, the priest instructed Hoichi, saying:–

[17:55] “To-night, as soon as I go away, you must seat yourself on the verandah, and wait. You will be called. But, whatever may happen, do not answer, and do not move. Say nothing and sit still — as if meditating. If you stir, or make any noise, you will be torn asunder. Do not get frightened; and do not think of calling for help — because no help could save you. If you do exactly as I tell you, the danger will pass, and you will have nothing more to fear.”

[18:31] After dark the priest and the acolyte went away; and Hoichi seated himself on the verandah, according to the instructions given him. He laid his biwa on the planking beside him, and, assuming the attitude of meditation, remained quite still,– taking care not to cough, or to breathe audibly. For hours he stayed thus.

[18:55] Then, from the roadway, he heard the steps coming. They passed the gate, crossed the garden, approached the verandah, stopped — directly in front of him.

[18:57] “Hoichi!” the deep voice called. But the blind man held his breath, and sat motionless.

[19:23] “Hoichi!” grimly called the voice a second time. Then a third time — savagely:–

[19:29] “Hoichi!”

[19:29] Hoichi remained as still as a stone,– and the voice grumbled:–

[19:35] “No answer! — that won’t do!… Must see where the fellow is.”…

[19:44] There was a noise of heavy feet mounting upon the verandah. The feet approached deliberately,– halted beside him. Then, for long minutes,– during which Hoichi felt his whole body shake to the beating of his heart,– there was dead silence.

[20:03] At last the gruff voice muttered close to him:–

[20:06] “Here is the biwa; but of the biwa-player I see — only two ears!… So that explains why he did not answer: he had no mouth to answer with — there is nothing left of him but his ears… Now to my lord those ears I will take — in proof that the august commands have been obeyed, so far as was possible”…

[20:35] At that instant Hoichi felt his ears gripped by fingers of iron, and torn off! Great as the pain was, he gave no cry. The heavy footfalls receded along the verandah,– descended into the garden,– passed out to the roadway,– ceased. From either side of his head, the blind man felt a thick warm trickling; but he dared not lift his hands..

[21:02] Before sunrise the priest came back. He hastened at once to the verandah in the rear, stepped and slipped upon something clammy, and uttered a cry of horror; — for he saw, by the light of his lantern, that the clamminess was blood. But he perceived Hoichi sitting there, in the attitude of meditation — with the blood still oozing from his wounds.

[21:27] “My poor Hoichi!” cried the startled priest,– “what is this?… You have been hurt?…

[21:36] At the sound of his friend’s voice, the blind man felt safe. He burst out sobbing, and tearfully told his adventure of the night.

[21:46] “Poor, poor Hoichi!” the priest exclaimed,– “all my fault! — my very grievous fault!… Everywhere upon your body the holy texts had been written — except upon your ears! I trusted my acolyte to do that part of the work; and it was very, very wrong of me not to have made sure that he had done it!… Well, the matter cannot now be helped; — we can only try to heal your hurts as soon as possible… Cheer up, friend! — the danger is now well over. You will never again be troubled by those visitors.”

[22:24] With the aid of a good doctor, Hoichi soon recovered from his injuries. The story of his strange adventure spread far and wide, and soon made him famous. Many noble persons went to Akamagaseki to hear him recite; and large presents of money were given to him,– so that he became a wealthy man… But from the time of this adventure, he was known only by the appellation of Mimi-nashi-Hoichi: “Hoichi-the-Earless.” The end.

[23:11] Pssst! Hey, do you like scary stories? Or maybe you don’t do full-on horror, but enjoy a nice dark tale. Something creepy involving Japanese folklore and superstition. Well, if that’s the case, you can sneak on over to Amazon or wherever you like to buy books and look for my two short story collections: A Robe of Feathers and The Carp-Faced Boy. All you need to do is search for Theresa Matsuura. Let me spell that for you. T-H-E-R-S-A, M-A-T-S-U-U-R-A. Another place you can find me doing things is on Patreon. There, once a month for my five dollar and up patrons, I translate, retell and record obscure Japanese folktales. Some are dark, some are humorous, some are just weird. And lastly, another super sweet thing you can do is to write a review on iTunes. By doing this you help like minded people find Uncanny Japan. It’s a little thing but it means a lot and it’s a great big help. Thank you, I’m Thersa Matsuura, and I’ll talk to you soon.

(Transcribed using Happy Scribe)


Intro and outro music by Julyan Ray Matsuura

5 comments on “Story Time: Hoichi The Earless by Lafcadio Hearn (Mimi-nashi Hoichi) (Ep. 33)”

  1. This one is wonderful! I _think_ I heard a Thai version of this by (you guessed it) a Thai Monk.

    1. That is so cool. I’ve found there is a local woman who tours around telling the story (of course in Japanese). I am going to listen to her today (literally in two hours!), but today’s story will be a different one. I wish I understood Thai. That would also be an enthralling rendition, I’m sure!

  2. I very much enjoyed your rendition of this tale! Thank you. I found it searching for images of Masaki Kobayashi’s film version in his “Kwaidan.” I’m sure listeners who may be unfamiliar with it would be interested and it’s important to give credit for the images used here. https://www.imdb.com/title/tt0058279/

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About The Uncanny Japan Podcast

Speculative fiction writer, long-term resident of Japan and Bram Stoker Award finalist Thersa Matsuura explores all that is weird from old Japan—strange superstitions, folktales, cultural oddities, and interesting language quirks. These are little treasures she digs up while doing research for her writing.

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